The Beijing Music Festivalevents in the fancy landmark venue Sanlitun Village are meant to engage peoplefrom different walks of life. (Source: Xinhua/Jiang Dong)
The Beijing Music Festival heads to the city's hip Sanlitun district to make it
more accessible to the masses. Chen Jie reports.
This is the first time I'm writing a preview of the Beijing Music Festival
(BMF) after it has kicked off since I first covered the annual event in the fall
of 2000, two years after it was inaugurated. And this year, a big and worthwhile
change has taken place after the initial performances. The festival opened on
Tuesday at the Poly Theater with a concert by the 155-year-old Halle Orchestra
from Manchester that featured the Russian violinist Maxim Vengerov and South
Korean soprano Sumi Jo. It was a good opening. Vengerov played Tchaikovsky's
Violin Concerto in D Major and reaffirmed his rank among the world's best
violinists, while Jo's operatic arias demonstrated she deserves her reputation
as Asia's premier coloratura soprano.
Halle - one of the world's oldest orchestras - performed the following day at
the Forbidden City Concert Hall, under the baton of Sir Mark Elder.
The concert highlighted British classics, including Elgar's Symphony No 1 in
A Flat Major - a work Halle premiered in 1908.
Jo teamed up with the China Philharmonic Orchestra to perform opera and other
pieces on Thursday.
They've all been impressive performances, as have all the concerts the BMF
has presented over the past 14 years. Every year, the previews and reviews I've
written have retained the same themes - world-class orchestras, big-name
virtuosos and celebrated works.
But what I really anticipate seeing and highly recommend starts on Saturday
in Sanlitun Village.
That's right - Sanlitun Village, the city's trendy and fancy landmark venue,
where luxury labels open flagship stores; designers give runway shows; the Apple
Store is packed with hip customers; kids play in the fountain; and Cold Stone's
ice cream mixes with Starbucks' aroma.
I asked BMF's program director Tu Song: "What is the biggest change this
year?"
The clarinetist turned director said: "The change of location. We moved from
the concert hall to dynamic Sanlitun."
I would answer my own questions with: "There has been an attitude shift."